About the Artist

How it all began.

History of a sculptor

Robert Holmes was born in 1927 in Missouri. Growing up during the Great Depression gave him the fortitude to excel by letting his practical side guide him from survival to success. He was instinctively talented as a young man working with his father to build and design homes. Robert put himself through college, earning a degree in civil engineering from the University of Arizona. He achieved professional status far ahead of schedule. In the early 1950s, he moved to the San Francisco Bay Area and started Robert Holmes Construction, Design, and Development Company specializing in contemporary home design.
In 1958, he moved to Arizona, where he became one of the most successful custom luxury home builders in burgeoning Phoenix. His notable projects also included banks, bridges, apartments, manufacturing plants, and churches.
He enjoyed interior design with special interest in exploring staircases and tables.
In the background he slowly honed his craft in another field: sculpture.
Robert sold his business in 1981 and took the plunge to pursue sculpting exclusively. Robert and his wife Edith moved to Sea Ranch, a community along the inspiring Northern California coast. Here he began his second career as a sculptor while wife Edith joined forces as their agent. Robert and Edith forged a successful fine arts business that grew continuously over the next twenty five years.

A new path: bringing the fine art to a national stage

Most sculptors struggle to keep their artistic vision intact while negotiating the rough waters of science, industry, and marketing. Robert's formal, classical training in engineering proved the key to his success. Robert met Charles Feingarten, a world renown art critic and New York gallery owner who was responsible for introducing Rodin’s bronzes to America. Through Feingarten's encouragement, Robert began his foray into bronze and in New York his work was an immediate success. From early days as an unknown, Robert gradually gained national exposure and galleries from coast to coast sought to represent him.

With his prior experience in civil engineering, Robert understood the science of presentation. Long before CAD and computer graphic programs, Robert created exquisite scale model environments that integrated his sculpture. He communicated in a language developers, architects, and private collectors understood.

Robert’s knew how to add stability to his sculpture, make complex installations a breeze and meet a city’s specifications and code requirements. His credentials gave large firms the faith to allow Robert’s early stage involvement in many projects. Professional art consultants stated Holmes’ art expressed a nurturing, non-confrontational, and inviting quality that was perfect for public settings.

When art meets industry

Robert's voyage converting ideas to bronze was trial by fire. He worked with a dozen foundries but was never fully satisfied with the experience. In 1989 Robert created his own fine arts foundry called Bronze Plus. Here he could finally control the process thus ensuring timely production and high quality standards.
Since Bronze Plus was created as a commercial corporation, other sculptors have enjoyed the privilege of casting with his personalized operation. Robert Holmes Sculpture and Bronze Plus complemented each other in a rare but effective business model. Bronze Plus hosted private showings and to this day collectors are invited to see the final stages of production.
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